Since version 8, Kerkerkruip has included a kind of trophy gallery that you can check out if you hang around on the title screen for a few seconds instead of immediately firing up a new game. The gallery starts out empty, of course, but each time you kill a new enemy–at least, one that has a soul that you can steal–a card depicting that enemy is added to the gallery. The card also includes a couple of statistics about your long-term relationship with this enemy, namely how many games have gone by in which you’ve killed it, and how many times it has killed you.
The cards are illustrated using what I call typographic collage (other examples here, here, and here). Version 8 shipped with art for seven of the game’s enemies: the ravenous armadillo, the chain golem, the swarm of daggers, the mindslug, the adventurer Miranda, the reaper, and the giant tentacle. Version 9 will add three more. I’ve discussed two of them elsewhere, so this post will focus on the most recently completed, the Fanatics of Aite.
These fanatics serve Aite, Kerkerkruip’s goddess of cruelty, bloodlust, war, and ruin. As their appellation implies, they are a trio of zealous cultists. They also embody sacred personages: the Defender is a heavily armored blunt instrument of his god, the Tormentor deals excruciating pain from a sacral staff, and the Healer supports them both with curative abilities.
I struggled for a while with how to depict three characters on one card (there isn’t much space!), but as I thought about the way that the cultists subsume themselves into preexisting religious roles, I decided that the best way to convey the nature of these characters was to depict a tableau of sacred objects. The Defender, after all, is just a man until he takes up Aite’s shield, the Tormentor only a woman until she lashes out with the staff of pain. The card lays out these emblems, along with the Holy Sword of the Healer, beneath Aite’s war mask.
Note: I cheated a bit here. In Kerkerkruip, the Defender doesn’t actually carry a shield. He is instead armed with a special sword whose main property is that it is essentially stainless steel. I thought the shield was better visually and also as an expression of the Defender’s role, so I just went with that. Purists are asked to sputter silently in a corner.
A few notes on the depiction of the objects for the interested: Overall, the imagery is borrowed from ancient Greece, since Aite herself is borrowed from its mythology. The shield uses Greek frets sketchily rendered with inverted 7’s, while the holy sword is basically a Greek xiphos in shape. The mask is a combination of a Greek helmet with a theatrical mask, e.g., the hair from this one. I didn’t have any real-world examples in mind for the staff of pain, but I’m sure that I didn’t invent it completely. (Citations for my subconscious are welcome!)
The background texture is by deviantArt user cloaks, and is I think very evocative of the interior of a dark and sacred grotto. The font used is Gafata, and while it has some nice shapes the lack of character of some of its glyphs gave me some tough moments. In the end, though, I think it turned out to provide good character for the images.
Before moving on, there was one discarded idea I want to share. The scorpion’s reputation for cruelty and dealing pain make it a natural fit for Aite, and I toyed with using it as the design on the shield:
Read about the minotaur card on the Glimmr blog.
Read about the wisps of pain card on the Glimmr blog.
We’re nearing release of Kerkerkruip 9. (“We” being the design team consisting of Mike Ciul, Erik Temple, Dannii Willis, Remko van der Pluijm and myself.)
This is by far the biggest update of Kerkerkruip yet, with over 600 commits on the Github code repository. Among many other things, it brings you two new normal enemies and some undead opponents as well; a religion system that adds an entire new strategic dimension to Kerkerkruip‘s central mechanic of soul absorption; the ability to throw grenades into adjacent rooms; sleeping monsters and dream sequences; as well as a completely redesigned reaction system, which now involves four commands — dodge, parry, roll and block — all of which have different tactical uses as you build up your offensive and defensive flow. To top it all off, there is Wade Clarke’s awesome music for the title menu.
There are still a couple of small bugs and other minor issues we’re working on, but the game is definitely ready for beta testing. So please grab the latest beta — this link will always link to the latest beta — and give it some testing! Any bug reports or other comments can be posted here, on Github, or on the Interactive Fiction forum.
Get the game file and the Gargoyle interpreter.
The Kerkerkruip team is happy to announce the release of Kerkerkruip 9, by far the most extensive update of the game ever made. Kerkerkruip is a short-form roguelike in the interactive fiction medium, featuring meaningful tactical and strategic depth, innovative game play, zero grinding, and a sword & sorcery setting that does not rehash tired clichés.
With over 700 commits to the code repository, the changes made in Kerkerkruip 9 are far too numerous to mention here. But the highlights are:
We are now also offering stand-alone installers for specific operating systems. While it’s still possible to download the game file and run it in your favourite Glulx interpreter, there are also installers for Windows and Debian/Ubuntu. We will be supporting OS X in the near future. Go to the downloads page immediately!
Kerkerkruip is presented to you by the Kerkerkruip team: Victor Gijsbers, Mike Ciul, Dannii Willis, Erik Temple and Remko van der Pluijm. We hope you enjoy the new version. If you’ve got any comments, or if you’d like to contribute to this free software project, please go the website for details and contact us!